Marielle Nitoslawska, born in Canada, is a filmmaker, cinematographer and film professor who lives and works in Montreal.
Nitoslawska film essays include works on artists such as Domingo Cisneros, Szczepan Mucha, Jozef Robakowski, and Carolee Schneemann. Her films have received critical acclaim and have shown internationally at festivals, including Bad Girl (2002), Sky Bones (1999, nominated for Best Art Doc, Hot Docs), and Choices: An Artist From Eastern Europe Speaks Out (1987), included in the National Gallery of Canada’s permanent collection.
Her work has exhibited internationally at museums, art institutions, galleries, biennials and film festivals, including the National Gallery of Canada, Musée du Québec, WRO Biennale (Poland), Goethe-Institut New York, Vancouver Film Festival, Hot Docs, INPUT, FIFA, and the Festival du Nouveau Cinéma.
Nitoslawska served as Chair of the Mel Hoppenheim School of Cinema at Concordia University from 2009-2012. In 2006 she received the Faculty of Fine Arts Distinguished Teaching Award. She directs the Possible Movements Lab, a research group in experimental documentary, at Concordia’s Hexagram Institute for Media Arts.
Breaking The Frame is a feature–length documentary portrait of the New York artist Carolee Schneemann by Canadian filmmaker Marielle Nitoslawska. Utilizing a rich variety of film and hi-definition formats, Breaking The Frame is a kinetic, hyper-cinematic intervention, a critical meditation on the relation of art to the physical, domestic and conceptual aspects of daily life and on the attributes of memory. It uses Schneemann’s autobiographical materials to narrate the historic upheaval within Western art in post-war America. Courtesy of Possible Movements and Picture Palace