Laura Kraning
Laura Kraning’s experimental documentaries are portraits of secret worlds hidden beneath the surface of the everyday that traverse the border between the objective and the subjective, the real and the imaginary. Her early work as an abstract painter infused her filmmaking process in which she makes visible the textural and symbolic layers inherent in landscapes filmed over time. Her work has screened widely at international festivals and venues including the New York Film Festival, International Film Festival Rotterdam, Visions du Réel, Edinburgh International Film Festival, Ann Arbor Film Festival, Athens International Film and Video Festival, Rencontres Internationales, and the National Gallery of Art, Washington DC. Her film Vineland was awarded the City is Cinema Jury Award at the 2010 Ann Arbor Film Festival and she is a recipient of a 2010 Princess Grace Foundation John H. Johnson Film Award for her latest film, Devil’s Gate. Laura currently resides in Altadena, California.
Vineland | USA 2009 | Digital video | 10 min
At the last drive-in movie theater in Los Angeles, dislocated Hollywood images filled with apocalyptic angst float within the desolate nocturnal landscape of the City of Industry. In this border zone, re-framed and mirrored projections collide with the displaced radio broadcast soundtrack, revealing overlapping realities at the intersection of nostalgia and alienation. “… Vineland speaks quietly and eloquently of fantasized image-making, of the sheer presence and scale of Hollywood’s imposition on the landscape…” – Tony Pipolo, Millenium Film Journal
Featured in:
Devil’s Gate | USA 2011 | HD | 20 min
Devil’s Gate depicts the physical and mythological terrain of Devil’s Gate Dam, located at the nexus of Pasadena’s historical relationship with technology and the occult. Intertwined with its central figure, Jack Parsons, who some believe to have opened a dark portal in this place, the film merges an observational portrait of a landscape transformed by fire, ash and water with a fragmentary textual narrative, providing a view into man’s obsession with controlling and transcending the forces of nature and spirit. UK Premiere